Showing posts with label Mavado. Show all posts
Showing posts with label Mavado. Show all posts

Sunday, October 7, 2012

Razz & Biggy releases Mavado’s So Suicidal Mixtape


The Duo continues to deliver on their promise to keep good music just a click away from their fans and music loves worldwide


Hot on the heels of his long awaited return to Jamaica recently, dancehall heavy hitter – Mavado hit the studio and teamed up with the genre’s dynamic duo – Razz & Biggy to compile an action packed mixtape ‘just for the fans’.

The mixtape is aptly titled ‘So Suicidal’ which mirrors the sing jay’s track with the We The Best label boss – Dj Khaled called Suicidal Thoughts which was the lead single from Dj Khaled’s ‘Kiss the Ring’ album. The 26 track effort sees production credits from some of the industry’s most talented production labels such as DASECA, Big Ship and Chimney Records amongst others representing for the local team. Jerry ‘Wonda’ Duplessis, the producer who helped shape Wyclef and the Fugees’ Island-informed sound, is the man responsible for the guitar-laced ‘Souljah Girl’, other international production credits rest with Dj Khaled, Boi-1da and T-minus.  With guest appearances from artistes such as Ace Hood, Chase Cross, Chipmunk, Meek Mill, Buccaneer and Akon, it was of no surprise that the mixtape racked up thousands of downloads within hours of being posted online on outlets like www.razznbiggy.com.



When asked about the process of putting the mixtape together, Biggy explained that it was just as much fun as it was hard work. “Mavado is a great product of our music, he has numerous songs, finding the right blend of songs took some doing, but the artiste is so good to work with that’s why the finished product was so quickly embraced by audiences far and wide”, explained a visibly pleased Biggy.

2012 has seen Razz & Biggy being very busy both in the studio and in the streets, with sold out tour dates both locally and overseas and other combination efforts with artistes like Denyque and Bugle to their credit. In May 2012 the critically acclaimed - ‘I am Super Girl; Denyque’s mixtape debut was dropped and three months later in August ‘Psalms’; a strong mix of songs from the talented Bugle was unleashed. This year has been exceptionally good to Dancehall’s Dynamic Duo. With the end of the year fast approaching  they reveal that their schedule remains just has hectic; “the lord has really blessed us, so we just continue to do our best in whatever we do, please the people and keep doing good work” Razz went on to explain.

The Duo continues to deliver on their promise to keep good music just a click away from their fans and music loves worldwide. With numerous mixtapes available on their website – www.razznbiggy.com , they enjoy a hit rate which is envied by most entertainment pages on the web.

The So Suicidal Mixtape is available free for download on www.razznbiggy.com .

Tuesday, March 9, 2010

Daseca Beckons a Genesis in Dancehall

The Daseca Productions crew has a brand new riddim called the Genesis riddim, and it was premiered last night on Bobby Konders & Jabba’s show on New York’s Hot97 radio station. According to a Daseca spokesperson, the Genesis riddim was so-named because they hope that it will mark the rebirth or a new beginning for dancehall music.

How? Well, unlike most riddim releases coming out of Jamaica, Daseca has not leaked the riddim to numerous sound systems and radio deejays in order to give it that first push and get some ‘buzz’ going. Invariably, that has resulted in the riddims being posted and made widely available online via file sharing and illegal music sites and on forums – a factor that undoubtedly contributes to the genre’s typically weak [legal] sales figures. Beyond last night’s premiere on Hot97, there will be a premiere on Jamaican radio later this week and on the Jamaican entertainment scene at the popular Alliance Happy Thursdayz event. That aside however, Daseca are keeping a tight wrap on this new riddim, as they seek to prevent its widespread piracy, and encourage actual sales of the riddim via legal channels.

The Genesis riddim is distributed by Rockstone Media, and features tracks by Assassin, Mavado, Serani, Bugle, Aidonia, Kibaki, Raine Seville, Charly Black and T-Nez. On March 23, 2010, it will be widely available for purchase via popular online music retailers such as Amazon and iTunes. Will it mark a new beginning for dancehall music? This ultimately lies in the hands of the Jamaican music fans. On March 23, we encourage you to preview the riddim via your favorite [legal] music retailer, and buy it (or individual tracks off it) if you like it.

Below we’ve featured a short clip of the Genesis riddim; it was cut from last night’s live-to-air launch on Hot97 radio station.



Source - Dancehall.Mobi

Monday, December 7, 2009

Mavado & Vybz Kartel Perform Together at Jamboree

After much talks about peace meeting, a peace march, wars and rumors of war. Vybz Kartel and Mavado have made the first move towards peacefully putting away the Gaza/Gully feud.

This came to being at the recently held Jamboree that was held in Tivoli Gardens community in Kingston Jamaica. The event hosted by respected area leader Duddus and the Presidential Click allowed patrons to witness what many may deem to be a part of Entertainment History.

The Real question is if this mark of peace will be extended to the followers of each element ?

Check out the videos below







Friday, December 4, 2009

Kartel/Mavado - Showdown at 'High Noon'


A.I.M Inc. Entertainment received a letter today (December 4, 2009) which sees Vybz Kartel expressing his desire to meet with Mavado as a means of trying to lay to rest their alledged feud. The letter has been added, read for yourself...................
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With all due respect to the Commissioner, I think they went a little overboard in making such a hasty decision, especially in light of thefact that Mavado and I are currently in negotiation as to how best we can publicly make a cry for peace.

I can undoubtedly speak on behalf of David when I say there is no animosity between either parties and truth be told, we have been indialogue from time to time and since recently, even more regularly inour mutual big to best resolve this so-called feuding in the minds of dancehall fans in particular and the wider society, in general.

Let it be known that in a gesture of goodwill, faith and patriotism that I, Adidja Palmer, will be making myself available on Wednesday of next week, December 9 to stand with David Brooks, in HWT, at noon,under the famous clock to show Jamaica that we're patriotic Jamaicans and as such, are bound to secure the well-being of such. I am calling on the relevant authorities who also have a stake in resolving this public feud to endeavour to make it happen in a peaceful, organised manner.

Sincerely yours.

Adidja Palmer di Teacha
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Top 25 Reggae albums of the decade

The top 25 reggae albums for this decade — which ends December — was dominated by Shaggy but other dancehall artistes ranked highly, according to a list compiled by Splash.

Topping the list was Shaggy’s 2000 release Hot Shots which sold over ten million copies and was amongst the most sucessful albums of the decade. Matisyahu was second, but he also made the top 25 three times. Shaggy, Sean Paul, Sizzla, Beenie Man, UB40 and Damian Marley each made the list twice.

Music rankings are always controversial but Splash arrived at the findings, not by public opinion, but by analysing Billboard Reggae Album charts between 2000 to 2009 and ranked albums in order of weeks charted. Chart longevity indicated that the albums were not only popular but had that timeless quality as sales continued well beyond their release dates.

One caveat was that Billboard did not reflect the Jamaican pop charts, as such some breakthrough albums did not make the cut, including Vybz Kartel’s Up 2 Di Time, Baby Cham’s Ghetto Story, Lee Scratch Perry’s 2002 Grammy winning album Jamaican ET, Richie Spice’s Spice in Your Life and I-Wayne’s Lava Ground. Also missing from the top 25 was Kevin Lyttle’s gold-selling, self-titled album and Elephant Man’s Good 2 Go which ranked 27 and 28, respectively. The charts still gave insight into top albums of the decade due to the size of the North American market and its influence on global sales.

Ranking includes:

1. Shaggy’s Hotshots (MCA) which completely transcended the reggae charts and charted 84 weeks on Billboard 200 and peaked at number 1. It was produced by Jimmy Jam, Tony Kelly, Terry Lewis, Robert Livingston, Shaggy, Christopher Birch, Gordon Dukes and Shaun “Sting Int’l” Pizzonia;

2. Matisyahu’s Live at Stubbs (Sony) which charted for 208 and 26 weeks on Reggae Albums and Billboard 200, respectively and was produced by Michael Caplan and Angelo Montrone;

3. Damian Marley’s Half Way Tree (Motown Records) which charted 158 weeks on Reggae Albums, produced by David Cole, Stephen Marley, Damian ‘Junior Gong’ Marley and Kid Nyce;

4. Mr Lover Lover: The Best of Shaggy, Part 1 (Virgin) which charted 130 weeks and was produced by Lynford ‘Fatta’ Marshall, Jimmy Jam, Terry Lewis, Robert Livingston, Collin ‘Bulbie’ York, Sting International and Shaun ‘Sting Int’l’ Pizzonia;

5. Sean Paul’s Dutty Rock (VP) which charted 105 and 85 weeks on the Reggae Albums and the Billboard 200 respectively;

6. Damian Marley’s Welcome to Jamrock (Tuff Gong) which charted for 105 and 34 weeks on the Reggae Albums and the Billboard 200 respectively, produced by Stephen Marley, Damian “Junior Gong” Marley;

7. Sean Paul’s The Trinity (Atlantic) which charted for 104 and 52 weeks on the Reggae Albums and the Billboard 200, respectively, and was produced by Steven ‘Lenky’ Marsden, Jeremy Harding, Marlon Cooke, Jason ‘Jigzagula Jason’ Henriques, Craig Parks, Donovan ‘Vendetta’ Bennett, Lionel Bermingham, Delano Thomas, Elijah Wells, Dwayne ‘Supa Dups”’ Chin Quee, Omari Stines, Michael ‘Factor’ Jarrett;

8. Scrolls of the Prophet: The Best of Peter Tosh, which charted for 104 weeks and was produced by Bruce Dickinson, Clement “Coxsone” Dodd, Peter Tosh, Robbie Shakespeare;

9. Bob Marley’s Gold which charted for 104 weeks it was produced by by Bob Marley, Steve Smith, Chris Blackwell, Errol Brown, Ingmar Kiang, Lee Scratch Perry, Alex Sadkin, The Wailers, Trevor Wyatt;

10. The Very Best of UB40 1980-2000, which charted for 103 weeks, produced by UB40, Ray Falconer, Howard Gray and Gerry Parchment;

11. Matisyahu’s Youth (Columbia), which charted 96 and 19 weeks on the Reggae Albums and the Billboard 200 respectively. It was produced by Bill Laswell and Jimmy Douglass;

12. Beenie Man’s Art and Life (Virgin), which charted for 84 and 20 weeks on the Reggae Albums and the Billboard 200, respectively, and was produced by Tony Kelly, Salaam Remi, Pharrell Williams and Chad Hugo.

13. Stephen Marley’s Mind Control (Tuff Gong), which charted for 78 and 6 weeks on the Reggae Albums and Billboard 200, and was produced by Paul Fakhourie, Stephen Marley, Damian ‘Junior Gong’ Marley and Julian Marley;

14. Collie Buddz self-titled album (Columbia) which charted for 78 and 3 weeks on the Reggae Albums and the Billboard 200, respectively, it was produced by Tony Kelly, Screwface, Stephen McGregor, Curtis Lynch, Jr, Dwayne “Supa Dups” Quee, Collie Buddz and M. “Khan” Chin;

15. Ky-Mani Marley’s Radio (AAO Music) which charted for 78 weeks. It was produced by Winston Thomas, Mark Sparks, Ky Miller, Danny Schofield ‘Styles’, Larry ‘Kalid’ Chu, Jason ‘J Vibe’ Farmer and Alex ‘Lex’ Francis;

16. The Journey: The Very Best of Sizzla (Greensleeves), which charted for 76 weeks on the Reggae Albums chart and was released in 2008;

17. Shaggy’s Lucky Day (MCA), which charted for 69 and 13 weeks on the Reggae Albums and Billboard 200;

18. Skindred’s Babylon (RCA), charted for 67 and 3 weeks on the Reggae Albums and the Billboard 200, respectively. It was produced by Howard Benson, Jason Bieler, Skindred.

19. UB40 Greatest Hits (Virgin) charted for 61 weeks and was produced by UB40, Charlie Skarbek, Dan Armstrong, Ray Falconer, Howard Gray, Gerry Parchment and Danny Canaan;

20. Matisyahu’s No Place to Be (Epic) charted for 59 weeks and was produced by Bill Laswell, Robbie and Sly;

21. Mavado’s Gangsta for Life (Hardwax) charted for 58 weeks and was produced by Johnny Wonder, Bobby ‘Digital’ Dixon, Dane “Fire Links” Johnson, Michael ‘ZJ Liquid’ Brissett, Delroy ‘Delly Ranx’ Foster;

22. Beenie Man’s Tropical Storm (Virgin) charted for 56 and 9 weeks on the Reggae Albums and Billboard 200, respectively. It was produced by Dave Kelly, Sly Dunbar, Anthony Kelly, Matt Serletic, Irv Gotti, Stargate, The Neptunes, AC Burrell and W Passley;

23. Ziggy Marley’s Dragonfly (RCA Victor), charted 55 and 8 weeks on Reggae and Billboard 200, respecitively. It was produced by Ross Hogarth, Scott Litt and Ziggy Marley;

24. Sizzla’s Da Real Thing (VP), which included Thank you Mama and other classics, charted for 51 weeks. It was produced by Bobby Digital and Bobby Dixon; and

25. Buju Banton’s Friends for Life (Atlantic/VP) charted for 50 and 11 weeks on the Reggae and R&B hip hop charts, produced by Dalton Browne, Clevie, Sly Dunbar, Donovan Germain, Mark Myrie, S Stewart, Steven ‘Lenky’ Marsden, Cleevie, Steelie, Jammy ‘Jam Two’ James, Cool & Dre.

Source - The Jamaica Observer


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Thursday, November 19, 2009

THE 'TEACHA' SAYS PEACE TALKS BELONG IN SCHOOLS

Despite reports that Dancehall deejay Vybz Kartel has rejected rival deejay Mavado's olive branch by turning down his birthday party invitation, Kartel maintains that he is willing to put aside differences with his arch-musical-rival to call for an end to violence associated with the Gaza/Gully feud, particularly among high school students.

Both artists have been slammed by the local media, as reports of increasing violence at local schools between fans of the Portmore, or 'Gaza,' Empire led by Vybz Kartel and the Gully Squad led by Mavado continue to flood the news, causing even the government to be concerned about mounting social tensions stemming from the feud between the two entertainers.

On Friday, the Jamaica Star newspaper reported that Mavado was calling for an end to the Gaza/Gully war by inviting Vybz Kartel to attend his birthday party at Temple Hall on December 5th. The paper stated that Mavado's management said they wanted to publicly invite Kartel to make peace once and for all, as a show of unity to the nation.

"I will not be able to attend (Mavado's event) due to previously planned engagements," states Adidja 'Vybz Kartel' Palmer invitation, citing commitments to Usain Bolt's 9.58 SuperParty and an event in Linstead on the same night. "What I think is the best way to solidify in the minds of the children that this Gaza/Gully feud is merely music, is not to accommodate a historic 'burning of the peace pipe' at a commercial, adult oriented event, but rather in the high schools where bouts of violence due to our feuding are most prominent," states Kartel "When a date for that is set, I will readily appear."

Vybz Kartel has repeatedly spoken out against violence within the island's schools, condemning the sale of 'Gaza buttons' and other paraphernalia depicting violent images of the feud in Corporate Area Schools earlier this month. This year, Vybz Kartel has released the singles "Teenage Pregnancy" with Portmore Empire artist Gaza Kim, and the "Schooler's Anthem" with Gaza Kim and fellow Empire artist Jah Vinci, bringing awareness to social issues affecting teens and encouraging them to stay in school.

Source - Ms. Raine Inc.

Monday, September 21, 2009

Mavado & Alicia Keys got something in the Oven

Singjay Mavado recently completed a recording session with American songbird Alicia Keys.

This is Keys' first collaboration with a Jamaican artiste since having remixed her single No One with veteran Junior Reid and her appearance on the remix of Cham's Ghetto Story.

After performing at the Hot 97 On the Reggae Tip show last Friday night, Mavado went straight in the studio with the multi-platinum singer.

In a recent release, he stated, "Last year we left the Reggae Tip show and recorded a track with Lil' Kim and Wyclef, this year it was straight into the studio with Alicia Keys. I am very focused on my career right now and I'm just trying to elevate myself and Jamaica on a whole through music. Working with Alicia is an honour and a pleasure."

It has been quite a year for Mavado, who has completed an extensive international tour of places like the US, UK, Europe, the Caribbean and Japan, and has continued to be one of the hottest acts in Jamaica.

The collaboration with Alicia Keys is a reggae track and should hit the airwaves very soon to create the buzz for Alicia Key's impending album.

He said, "My management and hers got together to make it happen and their was a great chemistry in the studio. It's the first time I've sung on a Studio One rhythm and I'm very pleased with the outcome. Alicia loved it too and I'm sure we will be working together on projects in the future."

The track was laid down at Alicia Keys' own state-of-the-art The Oven Studio in New York.

Source - The Jamaican Star