Top 25 Reggae albums of the decade

The top 25 reggae albums for this decade — which ends December — was dominated by Shaggy but other dancehall artistes ranked highly, according to a list compiled by Splash.

Topping the list was Shaggy’s 2000 release Hot Shots which sold over ten million copies and was amongst the most sucessful albums of the decade. Matisyahu was second, but he also made the top 25 three times. Shaggy, Sean Paul, Sizzla, Beenie Man, UB40 and Damian Marley each made the list twice.

Music rankings are always controversial but Splash arrived at the findings, not by public opinion, but by analysing Billboard Reggae Album charts between 2000 to 2009 and ranked albums in order of weeks charted. Chart longevity indicated that the albums were not only popular but had that timeless quality as sales continued well beyond their release dates.

One caveat was that Billboard did not reflect the Jamaican pop charts, as such some breakthrough albums did not make the cut, including Vybz Kartel’s Up 2 Di Time, Baby Cham’s Ghetto Story, Lee Scratch Perry’s 2002 Grammy winning album Jamaican ET, Richie Spice’s Spice in Your Life and I-Wayne’s Lava Ground. Also missing from the top 25 was Kevin Lyttle’s gold-selling, self-titled album and Elephant Man’s Good 2 Go which ranked 27 and 28, respectively. The charts still gave insight into top albums of the decade due to the size of the North American market and its influence on global sales.

Ranking includes:

1. Shaggy’s Hotshots (MCA) which completely transcended the reggae charts and charted 84 weeks on Billboard 200 and peaked at number 1. It was produced by Jimmy Jam, Tony Kelly, Terry Lewis, Robert Livingston, Shaggy, Christopher Birch, Gordon Dukes and Shaun “Sting Int’l” Pizzonia;

2. Matisyahu’s Live at Stubbs (Sony) which charted for 208 and 26 weeks on Reggae Albums and Billboard 200, respectively and was produced by Michael Caplan and Angelo Montrone;

3. Damian Marley’s Half Way Tree (Motown Records) which charted 158 weeks on Reggae Albums, produced by David Cole, Stephen Marley, Damian ‘Junior Gong’ Marley and Kid Nyce;

4. Mr Lover Lover: The Best of Shaggy, Part 1 (Virgin) which charted 130 weeks and was produced by Lynford ‘Fatta’ Marshall, Jimmy Jam, Terry Lewis, Robert Livingston, Collin ‘Bulbie’ York, Sting International and Shaun ‘Sting Int’l’ Pizzonia;

5. Sean Paul’s Dutty Rock (VP) which charted 105 and 85 weeks on the Reggae Albums and the Billboard 200 respectively;

6. Damian Marley’s Welcome to Jamrock (Tuff Gong) which charted for 105 and 34 weeks on the Reggae Albums and the Billboard 200 respectively, produced by Stephen Marley, Damian “Junior Gong” Marley;

7. Sean Paul’s The Trinity (Atlantic) which charted for 104 and 52 weeks on the Reggae Albums and the Billboard 200, respectively, and was produced by Steven ‘Lenky’ Marsden, Jeremy Harding, Marlon Cooke, Jason ‘Jigzagula Jason’ Henriques, Craig Parks, Donovan ‘Vendetta’ Bennett, Lionel Bermingham, Delano Thomas, Elijah Wells, Dwayne ‘Supa Dups”’ Chin Quee, Omari Stines, Michael ‘Factor’ Jarrett;

8. Scrolls of the Prophet: The Best of Peter Tosh, which charted for 104 weeks and was produced by Bruce Dickinson, Clement “Coxsone” Dodd, Peter Tosh, Robbie Shakespeare;

9. Bob Marley’s Gold which charted for 104 weeks it was produced by by Bob Marley, Steve Smith, Chris Blackwell, Errol Brown, Ingmar Kiang, Lee Scratch Perry, Alex Sadkin, The Wailers, Trevor Wyatt;

10. The Very Best of UB40 1980-2000, which charted for 103 weeks, produced by UB40, Ray Falconer, Howard Gray and Gerry Parchment;

11. Matisyahu’s Youth (Columbia), which charted 96 and 19 weeks on the Reggae Albums and the Billboard 200 respectively. It was produced by Bill Laswell and Jimmy Douglass;

12. Beenie Man’s Art and Life (Virgin), which charted for 84 and 20 weeks on the Reggae Albums and the Billboard 200, respectively, and was produced by Tony Kelly, Salaam Remi, Pharrell Williams and Chad Hugo.

13. Stephen Marley’s Mind Control (Tuff Gong), which charted for 78 and 6 weeks on the Reggae Albums and Billboard 200, and was produced by Paul Fakhourie, Stephen Marley, Damian ‘Junior Gong’ Marley and Julian Marley;

14. Collie Buddz self-titled album (Columbia) which charted for 78 and 3 weeks on the Reggae Albums and the Billboard 200, respectively, it was produced by Tony Kelly, Screwface, Stephen McGregor, Curtis Lynch, Jr, Dwayne “Supa Dups” Quee, Collie Buddz and M. “Khan” Chin;

15. Ky-Mani Marley’s Radio (AAO Music) which charted for 78 weeks. It was produced by Winston Thomas, Mark Sparks, Ky Miller, Danny Schofield ‘Styles’, Larry ‘Kalid’ Chu, Jason ‘J Vibe’ Farmer and Alex ‘Lex’ Francis;

16. The Journey: The Very Best of Sizzla (Greensleeves), which charted for 76 weeks on the Reggae Albums chart and was released in 2008;

17. Shaggy’s Lucky Day (MCA), which charted for 69 and 13 weeks on the Reggae Albums and Billboard 200;

18. Skindred’s Babylon (RCA), charted for 67 and 3 weeks on the Reggae Albums and the Billboard 200, respectively. It was produced by Howard Benson, Jason Bieler, Skindred.

19. UB40 Greatest Hits (Virgin) charted for 61 weeks and was produced by UB40, Charlie Skarbek, Dan Armstrong, Ray Falconer, Howard Gray, Gerry Parchment and Danny Canaan;

20. Matisyahu’s No Place to Be (Epic) charted for 59 weeks and was produced by Bill Laswell, Robbie and Sly;

21. Mavado’s Gangsta for Life (Hardwax) charted for 58 weeks and was produced by Johnny Wonder, Bobby ‘Digital’ Dixon, Dane “Fire Links” Johnson, Michael ‘ZJ Liquid’ Brissett, Delroy ‘Delly Ranx’ Foster;

22. Beenie Man’s Tropical Storm (Virgin) charted for 56 and 9 weeks on the Reggae Albums and Billboard 200, respectively. It was produced by Dave Kelly, Sly Dunbar, Anthony Kelly, Matt Serletic, Irv Gotti, Stargate, The Neptunes, AC Burrell and W Passley;

23. Ziggy Marley’s Dragonfly (RCA Victor), charted 55 and 8 weeks on Reggae and Billboard 200, respecitively. It was produced by Ross Hogarth, Scott Litt and Ziggy Marley;

24. Sizzla’s Da Real Thing (VP), which included Thank you Mama and other classics, charted for 51 weeks. It was produced by Bobby Digital and Bobby Dixon; and

25. Buju Banton’s Friends for Life (Atlantic/VP) charted for 50 and 11 weeks on the Reggae and R&B hip hop charts, produced by Dalton Browne, Clevie, Sly Dunbar, Donovan Germain, Mark Myrie, S Stewart, Steven ‘Lenky’ Marsden, Cleevie, Steelie, Jammy ‘Jam Two’ James, Cool & Dre.

Source - The Jamaica Observer

Bob to Join Grammy's Hall of Fame

Recordings by the Beach Boys, Bob Marley, the Doors, James Brown and Janis Joplin have been named as 2010 inductees to the Grammy Hall of Fame. Twenty-five recordings from a variety of genres will be added to the Grammy Hall, which currently includes 851 titles altogether (songs are eligible 25 years after release and the picks are approved by Recording Academy Trustees). The Doors’ L.A. Woman closer “Riders on the Storm,” Joplin’s final album Pearl and the Beach Boys’ classic “California Girls” will be among the recordings added to the collection.

“This year’s Grammy Hall Of Fame inductees highlight a diverse array of masterpiece recordings that have had a profound impact on our musical history,” Recording Academy President/CEO Neil Portnow said in a statement. “The selections are timeless staples that span six decades and represent a wide range of genres from comedy to rock, reggae, jazz and R&B. They all greatly deserve to be memorialized.”

Check out the complete list of the 25 recordings entering the Grammy Hall of Fame below:

Dooley Wilson – “As Time Goes By”
Weather Report – “Birdland”
The Beach Boys – “California Girls”
Bob Marley & The Wailers – Catch A Fire
George Carlin – Class Clown
Billie Holiday – “Crazy He Calls Me”
King Oliver & His Jazz Band – “Dipper Mouth Blues”
Duke Ellington & His Famous Orchestra – “Don’t Get Around Much Anymore (Never No Lament)”
Ella Fitzgerald/Count Basie – Ella and Basie!
Jose Feliciano – “Feliz Navidad”
Judy Garland & Gene Kelly – “For Me and My Gal”
Mahalia Jackson – “His Eye on the Sparrow”
Muddy Waters – “I Feel Like Going Home”
James Brown – “It’s A Man’s Man’s Man’s World”
Stan Getz/Charlie Byrd – Jazz Samba
Jelly Roll Morton – “Kansas City Stomps”
Louis Armstrong – “Lazy River”
Louis Armstrong & His All-Stars – Louis Armstrong Plays W.C. Handy
Nitty Gritty Dirt Band – “Mr. Bojangles”
Janis Joplin – Pearl
The Doors – “Riders on the Storm”
The Isley Brothers – “Twist and Shout”

Source - Rolling Stone

Bob Marley - Richest Dead Celebrity

Is reggae superstar Bob Marley bigger than Jesus? That's debatable, but the music legend who died 28 years ago is about to challenge Elvis Presley and Michael Jackson for the title of richest dead celebrity.

Toronto-based private-equity firm Hilco Consumer Capital has struck a management deal with the Marley estate, which is expected to generate worldwide annual sales in excess of $1 billion by 2012. That seems like a huge number, but by some estimates the Marley name, sound, and image already generate as much as $600 million in pirated merchandise. "Marley is a strong global brand," says Mickey Goodman, a professional marketer and professor at New York University's Stern School of Business. "He enjoys a high level of awareness, and people feel positive about his music."

Major licensing agreements for the Marley brand are about to be launched in two key areas: consumer electronics -- including headphones, docking stations, and speakers -- and health care, which will likely feature skin-care products and herbal supplements. Also in the works, according to Hilco, are deals for a Marley-branded calming beverage, a video game similar to Guitar Hero featuring Marley's songs, and a chain of restaurants celebrating the music superstar. Could this be commercial overkill for the Rastafarian whose spiritual songs about social injustice, hope, and redemption have become anthems for billions of fans, from Marrakech to Tokyo, and will it alienate them?


"This is not just about money," says Jamie Salter, Hilco's chief executive. "We have to believe in the people and products we partner with." Salter adds that the Marley estate will have final say on all business ventures, and that charities will figure into the overall mix of Marley branding. Licensing of dead celebrities is an industry that has exploded in the last decade, thanks in large part to the proliferation of websites and blogs devoted to their memory. Typically, an estate receives 10% to 15% of gross proceeds from a licensing deal, which in this case will be divided between Hilco and the Marley family.




The artist who created such reggae hits as "One Love," "No Woman, No Cry," and "I Shot the Sheriff" fathered a total of 13 children, some out of wedlock, and it's not clear how many are included in the estate. Salter declined to explain how proceeds will be divided between his management company -- which also has an equity stake in a number of high-profile brands, including Polaroid, Sharper Image, and fashion label Halston -- and the Marleys. However, at a conservative 10%, licensing fees from $1 billion in annual sales should pull in about $100 million for Hilco and the Marleys. That tops the latest figures reported for Presley ($55 million), John Lennon ($15 million), and Jimi Hendrix ($8 million).

Michael Jackson -- who is worth more dead than alive with an estimated $90 million in earnings in the last 12 months -- appears to be Marley's nearest rival for the richest-dead-celebrity crown. However, much of Jackson's reversal of fortune is due to a sharp spike in the sales of his albums and merchandise in the weeks following his death, as well as the one-time success of "This Is It," a film documenting rehearsals for shows he never performed at London's O2 arena. But the danger of operating the Marley marketing machine in overdrive is that it could irreparably harm the natural mystic's image. Some brand experts now view Elvis as more of a caricature than icon as a result of overexposure.
For Sanjay Sood, director of the Entertainment & Media Management Institute at UCLA, there's one question to ask: If Marley were alive today, would he want his name associated with a particular product? "A lot of artists would say 'no,'" says Sood. "Otherwise, they would have done it when they were alive."

Presley's estate, which is managed by New York-based CKX, launched a line of clothing that turned out to be a bust. (CKX also controls the Muhammad Ali brand and has an equity stake in the company that produces the "American Idol" television show.)
More recently, Lennon's widow Yoko Ono has licensed her husband's song "Real Love" to be used by JC Penny in television ads, and she's given Ben & Jerry's ice cream permission to release a Lennon-inspired flavor called "Imagine Whirled Peace."

Salter of Hilco says the Marley brand has a long way to go before reaching saturation, noting he also considered doing business with the Dean Martin, Marilyn Monroe, and Jimi Hendrix estates, but settled on the Rastafarian from Trench Town, Jamaica, because that's where he says he saw the biggest potential.

There has never been a better time, it seems, to be a dead celebrity -- or perhaps, more precisely, the heir to a dead celebrity's name.

Source - CNN

Smile Jamaica Concert Returns to Nine Mile, St Ann in Jamaica

The annual Smile Jamaica concert in honour of the life and legacy of the Hon. Robert Nesta Marley returns to the birth place of the Reggae icon, Nine Mile, St. Ann in Jamaica on Saturday, February 6.

In 2008, the Smile Jamaica and Africa Unite concert experiences united for a memorable event, and Smile Jamaica took a break in 2009. For the 2010 installment, Smile Jamaica returns to the cool hills for an unforgettable concert within walking distance of the Reggae Iconxs final resting place.

Part proceeds from the concert will go to the Unlimited Resources Giving Enlightenment U.R.G.E. Foundation and the Ghetto Youth Foundation, the charitable arm of Ghetto Youths International founded by Bob Marley's offspring. The foundation provides support for schools and reading programmes in St. Ann and Kingston. The organization has also provided assistance to hospitals and clinics to benefit children of lesser means and greater need.

Members of the Marley family are expected to deliver performances along with a cadre of top reggae, dancehall and international performers. Ghetto Youths will release the lineup and other key details in early 2010.

The concert will be a signature event during Bob Marley Week and Reggae Month and enjoys the support of the Jamaica Tourist Board (JTB) and the Jamaica Culture and Development Commission (JCDC). Bob Marley's birthday, Saturday February 6, is the date for the concert at Nine Miles, St. Ann.

Source - Headline Entertainment

Bob Marley Bobble Head

Fans of Bob Marley will be excited to see the amazing legend hero created as a great Bobble Head and that he is singing one of his most famous songs ‘Buffalo Soldier’. The Bob Marley Bobble Head fixed on a ‘Buffalo Soldier’ stand probably is the best way to depict the popular Reggae legend.

“Buffalo Soldier” song is an ode to all African origin people who immigrated to America and fought for survival; Yeah, they did arrive and survive. This year is a celebration of Bob Marley, all other Africa-American singers and Black music for another reason – The President of United States of America, Barack Obama himself has his roots in Africa.

Nothing much has changed though in Africa. Poor people from African continent still have to flee their troubled, conflict ridden, poor nations and arrive on the shores of unknown nation as “Buffalo Soldier” – fighting on arrival, fighting for survival as the song goes. The song is so true even today.

This Bob Marley Bobble Head will be popular with all his fans and fans of Reggae music which celebrates even the most difficult of struggles. A must have for all those who collect celebrities statues and Bobble Heads. Everyone needs a face of a hero for inspiration and motivation. Order Reggae Legend Bob Marley Bobble Head here for $10.99 and play his songs to make Bobble Head come alive in your home and inspire young minds.

Source - Dancehall Usa